11/10/2023 0 Comments Om addis dubplate![]() Sammatti, halfway between Turku and Helsinki in Finland. 'Dreadlock Tales Studio' was founded in 1999 in the backwoods of Om - Addis Dubplate 2 ĭreadlock Tales & Tree of Dub - Bodhisattva Warrior Dubplate 1ĭreadlock Tales & Tree of Dub - Bodhisattva Warrior Dubplate 2 Tree of Dub & Dreadlock Tales - Hari Om Dubplate 2 Tree of Dub & Dreadlock Tales - Hari Om Dubplate 1 ::: Dreadlock Tales - Mantra Dub tracklist :::ĭreadlock Tales - Shiva Shambho Dubplate 1ĭreadlock Tales - Shiva Shambho Dubplate 3 Grails- Black Tar Vol.For their 4th session, Dubmission Records presents mixes by artists they've released this month: from Finland, Dreadlock Tales with a Mantra Dub set from New Zealand, Shankara NZ with a live lockdown show. Grails- Black Tar Prophecies > Important Records '06 Grails- Burning off Impurities > Temporary Residence '07 Grails- Take Refuge > Important Records '08 HolySons- Decline of the West > Partisan Records '08 Grails- Doomsdayer's Holiday > Temporary Residence '08 OM- Conference Live > Important Records '09 Grails- Acid Rain DVD > Temporary Residence '09 HolySons- Drifter's Sympathy > Important Records '09 HolySons- Criminal's Return > Important Records '09 Jandek- Portland Thursday >Corwood Industries '09 Grails- Black Tar Vol.4 > Important Records '10 HolySons- Survivalist Tales! > Partisan Records '10 Grails- Deep Politics > Temporary Residence '11 Jandek - Seattle Friday > Corwood Industries '12 Lilacs & Champagne - S/T > Mexican Summer '12 Scout Niblett -No More Nasty Scrubs 7" > Drag City '12 Om - Gethsemane Dubplate 12" > Drag City '13 Lilacs & Champagne - Danish & Blue > Mexican Summer '13 Scout Niblett - It's Up To Emma > Drag City '13 Holy Sons - My Only Warm Coals Expanded > Important Records '13 Grails - Black Tar 4,5,6 > Temporary Residence '13 ![]() Lilacs & Champagne - Midnight Features Vol.1 > Mexican Summer '14 Holy Sons - Lost Decade II > Chrome Peeler '14 Holy Sons - The Fact Facer > Thrill Jockey '14 Lilacs & Champagne - Midnight Features Vol. Holy Sons - Fall of Man > Thrill Jockey '15 I & II (DELUXE REISSUE) > Partisan Records '15 ![]() Holy Sons - In the Garden > Partisan Records '16 Grails - Chalice Hymnal > Temporary Residence '17 Holy Sons - Lost Decade III > X-Ray Records '18 It came from a lust after that time when mixes and the relationship between all the instruments breathed beautifully at the height of analog equipment. and there’s that feeling of pure pleasure you get from hearing guitar solos that were done in one take and slightly flawed vocal harmonies recorded on the fly before Pro Tools existed. The drums are so round and close they sound like you could eat them. The way those albums look and feel like a lost pillar of classicism. This album was originally aesthetically based on the joy of pulling out old 70's American & British songwriting LPs at night while you're pounding whiskeys by the fireplace. how to replicate live-sounding recordings where a band is reacting and playing off of each other in real-time. That's basically what I learned 4-tracking in the 90's. but we 'faked' that vibe using one player. In The Garden is essentially John Agnello and I out at Water Music in Hoboken, New Jersey carving out the sound of a classic 70's record if it had been made by a band with all its players being very focused in the hey-day of their career. trapped in amber and mashed into a near-ambient distillation of confusion and suffering. These recordings are tangibly haunted and plagued by a distinct sense of 'spiritual trouble'. This batch of Lost Decade tapes is taken from a crucial time of Emil's development (1996-2002) that he spends a lot of time going into on his acclaimed podcast " Drifter's Sympathy". There's a palpable stench of pot smoke swirling around these late-night recordings and a constant sense of supreme alienation. ![]() Lost Decade is a rare look into the mountain of recordings Emil Amos amassed while in full-swing of the initial lo-fi revolution. and in this unfashionable dead-zone is where the Lost Decade series was made in private. Not until Ariel Pink arrived would people consider the weirdo genre of home-recording ready to be stocked on store shelves again. Simultaneously the 'lo-fi movement' was proclaimed dead by the press for the next decade. Then only a few years later, Nirvana opened up the commercial market for underground music and virtually all of the home-recording pioneers stepped out of their shabby environments towards a new horizon of recording studio budgets. The Lo-fi recording boom rose to prominence in the late 80's when new recording technology brought 4-tracks within teenager's grasp at an affordable price.
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